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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $1 USD  or more

     

  • Record/Vinyl + Digital Album

    Flying Hair's first recording finally available on 12" vinyl

    LA RECORD's Chris Ziegler review for Flying Hair Haunted Hangout II

    Let’s crack open this tape, stretch it between Black Sabbath and Black Angels, and then let the sun get to work on it so it gets all gooey and bubbly and boils off in shreds. That’s the last chunk of last song “Tiny Little Man,” where synthesizer pushes its wormy fingers between the cracks a la every zombie movie that had an unhappy ending. Isn’t it nice to check out a band that believes in ‘shreds’ not just as a verb, but as a noun and eventually a destination? Flying Hair is immersed in the queasy-uneasy tension between blast-damaged nuthin-fancy stoner rock and that span of the 70s when heavy psych and creepy prog overlapped cuz they were all watching the same horror movies on the same downers, with the genre distinction coming down to whether the guitarist, the organist or the vocalist would flip out first and best. Here, they take turns. Guitar: “The Captain,” in one of the final suites. Organ: the pleasantly barren second half of “LSD Dracula.” And the vocals? Ex-Zig Zag Bobby peaks on the Harlan-Ellison-via-Kim-Fowley climax of “I wonder what the clock-keeper’s keeping … KEEPING … KEEpprojngngng…” in “Tiny Little Man.” Sometimes people release albums, sometimes they release wild things back into nature cuz they’re getting too big to control anymore—this tape is just a little more of the second than the first.

    Includes unlimited streaming of Flying Hair - "Haunted Hangout II" via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 3 days

      $12 USD or more 

     

  • Cassette + Digital Album

    Re-Issue of Flying Hair's debut album. 1st run was self made by the band and these are professionally manufactured so slightly better fidelity and info/graphics screened on the tape. 5 eclectic and creepy heavy jams! Side A - Babies Cryin' / Pills / LSD Dracula 16 min ---- Side B - The Captain / Tiny Little Man 15 min Limited Run of 100

    LA RECORD's Chris Ziegler review for Flying Hair - Haunted Hangout II

    Let’s crack open this tape, stretch it between Black Sabbath and Black Angels, and then let the sun get to work on it so it gets all gooey and bubbly and boils off in shreds. That’s the last chunk of last song “Tiny Little Man,” where synthesizer pushes its wormy fingers between the cracks a la every zombie movie that had an unhappy ending. Isn’t it nice to check out a band that believes in ‘shreds’ not just as a verb, but as a noun and eventually a destination? Flying Hair is immersed in the queasy-uneasy tension between blast-damaged nuthin-fancy stoner rock and that span of the 70s when heavy psych and creepy prog overlapped cuz they were all watching the same horror movies on the same downers, with the genre distinction coming down to whether the guitarist, the organist or the vocalist would flip out first and best. Here, they take turns. Guitar: “The Captain,” in one of the final suites. Organ: the pleasantly barren second half of “LSD Dracula.” And the vocals? Ex-Zig Zag Bobby peaks on the Harlan-Ellison-via-Kim-Fowley climax of “I wonder what the clock-keeper’s keeping … KEEPING … KEEpprojngngng…” in “Tiny Little Man.” Sometimes people release albums, sometimes they release wild things back into nature cuz they’re getting too big to control anymore—this tape is just a little more of the second than the first.

    Includes unlimited streaming of Flying Hair - "Haunted Hangout II" via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 3 days
    edition of 100 

      $6 USD

     

credits

from Flying Hair - "Haunted Hangout II", released April 20, 2015

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Flying Hair Los Angeles, California

Flying Hair is Brian Fox, Kurt Mangum, Matthew Clark, Adam Payne and sometimes others. The Los Angeles based group explores sonic space with an experimental, proggy approach, fitting improvisations into set structures and creates expansive soundscapes. ... more

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